3D MicroPrint is a new micro laser sintering technology for small, precise metal parts, ideal for automotive, medical and jewelery applications.

3D MicroPrint: Laser Sintering Technology to 3D Print Tiny Metal Parts | All3DP

The Royal National Institute of Blind People (RNIB) has certified the 3Doodler START pen as easy-to-use for the blind and partially sighted.

3Doodler Start 3D Pens are Officially Approved by the RNIB | All3DP

Developing the design workflow for one-off products, students in Germany have 3D printed a self-balancing scooter using Stratasys machines.

Students Use Stratasys 3D Printers to Develop One-Off Self-Balancing Scooter | All3DP

Millie the greyhound is thought to be the first dog in Australia with a 3D printed prosthetic leg, proving they don't need to be expensive.

Millie the Greyhound is First Dog in Australia to Receive a 3D Printed Prosthetic Leg | All3DP

The 3D printed Curvestand is a versatile support solution for the iPad and the iPhone 4/4s.

3D Printed Curvestand for iPad | All3DP

Already bored of your Apple Watch's appearance? Jeremy Burnich designed a copper steampunk cover and used i.materialise to 3D print it.

Beautiful 3D Printed Copper Steampunk Apple Watch Cover | All3DP

The trend of Quantified Self goes to a new level: Sendinaden created a "Pattern Breathe Mask" which measures the quality of your breathing.

There‘s An App For Breathing Now (Seriously) | All3DP

3D printed figurines are shaping up to be one of the most sought after present this Christmas. Here’s what you should know about them.

All I Want For Christmas Is (Mini) You | All3DP

Robots delicate enough to handle macarons and Kinder Surprise Eggs? This assembly-line android from Materialise has your back.

YuMi, The Robot That Handles Macarons With 3D Printed Grippers | All3DP

AKQA partners with Monash University to 3D print Christmas decorations and raise money to fund a cure for muscular dystrophy. 

AKQA & Monash University 3D Print Christmas Decorations to Cure Muscular Dystrophy | All3DP

Scientists from the Lawerence Livermore National Laboratory are developing a process that print large metal objects faster than ever before.

Scientists Develop Breakthrough Process For Large Metal Prints | All3DP

Need a new pair of spectacles? Dutch startup Roger Bacon makes 3D scans of a customer's face to create-custom fitting 3D printed glasses.

Roger Bacon 3D Printed Spectacles are a Perfect Fit | All3DP

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 This is one of the largest of Moore&apos;s&#xA0;sculptures&#xA0;of a seated female nude, and it was&#xA0;cast&#xA0;in anedition&#xA0;of nine. The original&#xA0;plaster&#xA0;is in the Art Gallery of Ontario, Toronto, and the curator there, Alan Wilkinson, has described this sculpture as &apos;one of the most potent images of fertility produced in the 20th century&apos;. He also related it to Moore&apos;s early interest in Palaeolithic sculpture, an influence the artist readily acknowledged. Moore wrote of the work: &apos;&apos;Woman&apos; has that startling fullness of the stomach and breasts. The smallness of the head is necessary to emphasize the massiveness of the body - if the head had been any larger it would have ruined the whole idea of the sculpture.&apos;
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This object is part of &quot;Scan The World&quot;. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help. Scanned : Photogrammetry (Processed using Agisoft PhotoScan)
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Woman

 This is one of the largest of Moore's sculptures of a seated female nude, and it was cast in anedition of nine. The original plaster is in the Art Gallery of Ontario, Toronto, and the curator there, Alan Wilkinson, has described this sculpture as 'one of the most potent images of fertility produced in the 20th century'. He also related it to Moore's early interest in Palaeolithic sculpture, an influence the artist readily acknowledged. Moore wrote of the work: ''Woman' has that startling fullness of the stomach and breasts. The smallness of the head is necessary to emphasize the massiveness of the body - if the head had been any larger it would have ruined the whole idea of the sculpture.' This object is part of "Scan The World". Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help.Scanned : Photogrammetry (Processed using Agisoft PhotoScan) 

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 The &quot;My K-Cup&quot; reusable coffee filter is great for using your own coffee grounds in Keurig machines, but after the coffee brews, the coffee grounds are very hard to get out. This simple tool is perfectly sized to help you get all the coffee grounds out of the coffee filter.
If you find this tool helpful, give me a tip!
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My K-Cup Destroyer

 The "My K-Cup" reusable coffee filter is great for using your own coffee grounds in Keurig machines, but after the coffee brews, the coffee grounds are very hard to get out. This simple tool is perfectly sized to help you get all the coffee grounds out of the coffee filter. If you find this tool helpful, give me a tip! 

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A collection of bases featuring the textures from our Z.O.D. terrain tile themes. You can find a free starter set <a href="/thing:2528937" rel="nofollow">here on Thingiverse</a>, and full/expanded tile themes are available for purchase <a href="http://www.illgottengames.net/products/" rel="nofollow">on our site</a>. If you like what we do and want to support us, <a href="https://www.patreon.com/illgottengames" rel="nofollow">our Patreon backers</a> get all Z.O.D. sets as they come out (and we will be releasing a ton of these in the near and foreseeable future).
Enjoy!
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Z.O.D. Organic Nightmare Theme Bases (28mm/Heroic scale)

 A collection of bases featuring the textures from our Z.O.D. terrain tile themes. You can find a free starter set here on Thingiverse, and full/expanded tile themes are available for purchase on our site. If you like what we do and want to support us, our Patreon backers get all Z.O.D. sets as they come out (and we will be releasing a ton of these in the near and foreseeable future). Enjoy! 

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 This massive Slingo is larger than a pineapple. Woah.
Made for a .15-.2mm layer height. Scaling is unlikely to work unless you modify layer height proportionately (1:0.15mm), so you&apos;ll need a rather large printer to handle this beast. I designed it to maximize the height of the Lulzbot Taz 6.
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GIANT Springo

 This massive Slingo is larger than a pineapple. Woah. Made for a .15-.2mm layer height. Scaling is unlikely to work unless you modify layer height proportionately (1:0.15mm), so you'll need a rather large printer to handle this beast. I designed it to maximize the height of the Lulzbot Taz 6. 

Water block for a triple hot end RoStock printer. &#xA0;I have been working on this for quite a while (before the Kracken was released actually). &#xA0;Fitting 4 extruders on the RoStock platform is difficult and isn&apos;t radially symmetric. &#xA0; The benefit of using water cooling is that it takes less space and allows rigid alignment of the hot ends to each other... its also sounds better to have a water-cooled 3D printer;) &#xA0; I designed this to fit on the standard RoStock platform so all the holes should line up. &#xA0;I have been using this in a dual head setup for a while, I will eventually move to triple head when needed and after getting everything else setup. Instructions1. Print out the two drill guides &#xA0;2. Clamp the first one onto the Aluminum bar stock so as to waste as little material as possible &#xA0;3. Use a countersink/Center with a 3/8&quot; wide head to locate the center hole location. &#xA0;Don&apos;t just stick a drill bit in there it will wander and your locations will be all messed up... and your drill guide will be destroyed. &#xA0; 4. &#xA0;Remove the guide, drill the hole at 5/16&quot; and use a bolt or some threaded rod or a bolt to clamp the guide to the bar stock. 5. &#xA0;Now with the guide held with one hole use the center on one other 5/16&quot; holes. &#xA0;Remove the guide, drill the hole through and clamp with two bolts. &#xA0;Now the other two holes can be safely located with the center without any worry of wander. 6. &#xA0;For the smaller holes use a 3mm drill bit tip to mark the locations (or a 3mm/0.125&quot; center if you have one). &#xA0;7. Use the outer edge of the guide to trace the shape of the block &#xA0;8. Remove the drill guide and drill through the large holes with a 5/16 drill bit. &#xA0;Drill out the smaller holes to 2.5mm to prepare it for tapping at M3&#xA0;9. &#xA0;Now the fun part, use a hacksaw to cut out the piece from stock making the flats a priority for accuracy. &#xA0;10. &#xA0;If you have a lathe you can mount it to round out the piece or try an afgan lathe...&#xA0;11. &#xA0;Clamp the other drill guide around a side and once again use the center to locate the side holes&#xA0;12. Drill the large holes at 11/32&quot; to prepare them for tapping, be careful to not go too far but also be sure they connect with each other. &#xA0;It may take a few tries, just be conservative at first. &#xA0;13. &#xA0;Tap the small mounting holes, and set screw holes M3 &#xA0;14. &#xA0;Attach the fittings and tubing (note screw in fittings without extensions first (couldn&apos;t find swivel elbows at this size. I went through a few iterations, an alternative/previous design used a slightly different hot end and was held in place with a nut on the top and bottom of the water block. &#xA0;This worked pretty well but was a little more cumbersome to adjust the height and required a longer cold end meaning more weight and challenge in drilling the 4mm center hole. &#xA0;The idea of using the set screws I took from the design of the Kracken (E3D). &#xA0;

Triple Water Block

Water block for a triple hot end RoStock printer.  I have been working on this for quite a while (before the Kracken was released actually).  Fitting 4 extruders on the RoStock platform is difficult and isn't radially symmetric.   The benefit of using water cooling is that it takes less space and allows rigid alignment of the hot ends to each other... its also sounds better to have a water-cooled 3D printer;)  I designed this to fit on the standard RoStock platform so all the holes should line up.  I have been using this in a dual head setup for a while, I will eventually move to triple head when needed and after getting everything else setup.Instructions1. Print out the two drill guides  2. Clamp the first one onto the Aluminum bar stock so as to waste as little material as possible  3. Use a countersink/Center with a 3/8" wide head to locate the center hole location.  Don't just stick a drill bit in there it will wander and your locations will be all messed up... and your drill guide will be destroyed.  4.  Remove the guide, drill the hole at 5/16" and use a bolt or some threaded rod or a bolt to clamp the guide to the bar stock.5.  Now with the guide held with one hole use the center on one other 5/16" holes.  Remove the guide, drill the hole through and clamp with two bolts.  Now the other two holes can be safely located with the center without any worry of wander.6.  For the smaller holes use a 3mm drill bit tip to mark the locations (or a 3mm/0.125" center if you have one).  7. Use the outer edge of the guide to trace the shape of the block  8. Remove the drill guide and drill through the large holes with a 5/16 drill bit.  Drill out the smaller holes to 2.5mm to prepare it for tapping at M3 9.  Now the fun part, use a hacksaw to cut out the piece from stock making the flats a priority for accuracy.  10.  If you have a lathe you can mount it to round out the piece or try an afgan lathe... 11.  Clamp the other drill guide around a side and once again use the center to locate the side holes 12. Drill the large holes at 11/32" to prepare them for tapping, be careful to not go too far but also be sure they connect with each other.  It may take a few tries, just be conservative at first.  13.  Tap the small mounting holes, and set screw holes M3  14.  Attach the fittings and tubing (note screw in fittings without extensions first (couldn't find swivel elbows at this size.I went through a few iterations, an alternative/previous design used a slightly different hot end and was held in place with a nut on the top and bottom of the water block.  This worked pretty well but was a little more cumbersome to adjust the height and required a longer cold end meaning more weight and challenge in drilling the 4mm center hole.  The idea of using the set screws I took from the design of the Kracken (E3D).  


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Excavations carried out in 1910 in the substructures of a Gallo-Roman villa in Chardeneux-Bonsin uncovered this mask fragment depicting a faun, only made known through the small preserved horn located in the hair.
The life-size mask was stamped from a plaster matrix (?). The mounting holes in the top of the head and near the ears were expertly drilled before firing as well as the eyes, mouth and nostrils.
In the past, these masks were often considered as being used as stage props attached to the faces of the actors using an adhesive tape or string. The most likely hypothesis makes decorative elements adorning the column and walls of Roman villas.
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<span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;This object is part of \&quot;Scan The World\&quot;. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help.&quot;}" data-sheets-userformat="{&quot;2&quot;:6915,&quot;3&quot;:[null,0],&quot;4&quot;:[null,2,16777215],&quot;11&quot;:3,&quot;12&quot;:0,&quot;14&quot;:[null,2,2236962],&quot;15&quot;:&quot;Helvetica Neue&quot;}">This object is part of &quot;Scan The World&quot;. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help. Scanned : Photogrammetry (Processed using Agisoft PhotoScan)
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Roman Mask of a Faun at The Grand Curtius Liege, Belgium

 Excavations carried out in 1910 in the substructures of a Gallo-Roman villa in Chardeneux-Bonsin uncovered this mask fragment depicting a faun, only made known through the small preserved horn located in the hair. The life-size mask was stamped from a plaster matrix (?). The mounting holes in the top of the head and near the ears were expertly drilled before firing as well as the eyes, mouth and nostrils. In the past, these masks were often considered as being used as stage props attached to the faces of the actors using an adhesive tape or string. The most likely hypothesis makes decorative elements adorning the column and walls of Roman villas. This object is part of "Scan The World". Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help.Scanned : Photogrammetry (Processed using Agisoft PhotoScan) 

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 A simple charm that can be worn as bow tie - optionally of course :D
This design is completely support free! Remember to turn support off in your settings before printing as it will try and place support around the model!
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Bow Tie Take Two Charm

 A simple charm that can be worn as bow tie - optionally of course :D This design is completely support free! Remember to turn support off in your settings before printing as it will try and place support around the model! 

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 <a href="/pages/support-scan-the-world" target="_blank" rel="noopener noreferrer"><img src="/uploads/tinymce-images/support.png" alt></a>-- Another one looking like Madonna with the child 
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&#xA0;The mother and child are naturalistic and clearly observed from life. Mary is pensive, perhaps contemplating the enormity of her role, and the future of her Child. The Infant playfully holds onto the apple with both hands, while casting an expectant glance to one side. The apple symbolises the Fall, and we understand that Redemption will be through this new Adam. The realistic figure of the Christ-Child reflects a growing awareness of the changing ages of man. In earlier medieval art, a child is usually portrayed as a miniature adult. The drapery is reminiscent of Classical Greek or Roman sculpture, the root of Renaissance art.
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-- Who is depicted? 
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&#xA0; Luca della Robbia&apos;s images of the Virgin Mary represent a fascinating world, a world of intimacy and motherly tenderness portrayed under milky skies filled with luminous matter. Especially popular in religious circles, they were also appreciated for their qualities of brilliance and whiteness, alluding to purity and spiritual light. An example is provided by the Madonna of the Apple (Madonna della Mela) in which the thoughtful mien of the Virgin is contrasted by the lively and greedy expression of the Child who is holding the round fruit in his hands.
&#xA0;
-- More about the artist
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&#xA0;Luca della Robbia (1399/1400&#x2013;1482) was an Italian sculptor from Florence, noted for his glazed terracotta roundels, in a technique he apparently developed himself. Though a leading sculptor in stone, after developing his technique in the early 1440s, he mainly produced terracotta thereafter, and passed the technique on to his nephew Andrea della Robbia and great-nephew Giovanni della Robbia. His large workshop produced both cheaper works cast from moulds in multiple versions, and more expensive one-off individually modelled pieces. The glaze made his creations more durable in the outdoors and thus suitable for use on the exterior of buildings. His work is noted for its charm rather than the drama of the work of some of his contemporaries. Two of his famous works are The Nativity, c. 1460 and Madonna and Apple, c. 1455. In stone his most famous work is also his first major commission, the choir gallery or &quot;cantoria&quot; in Florence Cathedral (1431&#x2013;1438). Della Robbia was praised by his compatriot Leon Battista Alberti for genius comparable to that of the sculptors Donatello and Lorenzo Ghiberti, the architect Filippo Brunelleschi, and the painter Masaccio. By ranking him with contemporary artists of this stature, Alberti reminds us of the interest and strength of Luca&apos;s work in marble and bronze, as well as in the terra-cottas always associated with his name.
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Madonna of the Apple

 -- Another one looking like Madonna with the child The mother and child are naturalistic and clearly observed from life. Mary is pensive, perhaps contemplating the enormity of her role, and the future of her Child. The Infant playfully holds onto the apple with both hands, while casting an expectant glance to one side. The apple symbolises the Fall, and we understand that Redemption will be through this new Adam. The realistic figure of the Christ-Child reflects a growing awareness of the changing ages of man. In earlier medieval art, a child is usually portrayed as a miniature adult. The drapery is reminiscent of Classical Greek or Roman sculpture, the root of Renaissance art. -- Who is depicted? Luca della Robbia's images of the Virgin Mary represent a fascinating world, a world of intimacy and motherly tenderness portrayed under milky skies filled with luminous matter. Especially popular in religious circles, they were also appreciated for their qualities of brilliance and whiteness, alluding to purity and spiritual light. An example is provided by the Madonna of the Apple (Madonna della Mela) in which the thoughtful mien of the Virgin is contrasted by the lively and greedy expression of the Child who is holding the round fruit in his hands. -- More about the artist Luca della Robbia (1399/1400–1482) was an Italian sculptor from Florence, noted for his glazed terracotta roundels, in a technique he apparently developed himself. Though a leading sculptor in stone, after developing his technique in the early 1440s, he mainly produced terracotta thereafter, and passed the technique on to his nephew Andrea della Robbia and great-nephew Giovanni della Robbia. His large workshop produced both cheaper works cast from moulds in multiple versions, and more expensive one-off individually modelled pieces.The glaze made his creations more durable in the outdoors and thus suitable for use on the exterior of buildings. His work is noted for its charm rather than the drama of the work of some of his contemporaries. Two of his famous works are The Nativity, c. 1460 and Madonna and Apple, c. 1455. In stone his most famous work is also his first major commission, the choir gallery or "cantoria" in Florence Cathedral (1431–1438).Della Robbia was praised by his compatriot Leon Battista Alberti for genius comparable to that of the sculptors Donatello and Lorenzo Ghiberti, the architect Filippo Brunelleschi, and the painter Masaccio. By ranking him with contemporary artists of this stature, Alberti reminds us of the interest and strength of Luca's work in marble and bronze, as well as in the terra-cottas always associated with his name. 

helicopter in automaton version 
Equipped with a pinion to rotate the blade of the helicopter

airwolf

helicopter in automaton version
Equipped with a pinion to rotate the blade of the helicopter

Endless Wassup Skeleton

<p style="font-size: inherit; font-family: lato, Helvetica, Arial, sans-serif; background-color: rgb(254, 254, 254); box-sizing: inherit; margin: 0px 0px 1rem; padding: 0px; line-height: 1.6; text-rendering: optimizelegibility;">Inspirated by Astra 400 - Detail model

<p style="font-size: inherit; font-family: lato, Helvetica, Arial, sans-serif; background-color: rgb(254, 254, 254); box-sizing: inherit; margin: 0px 0px 1rem; padding: 0px; line-height: 1.6; text-rendering: optimizelegibility;">Made for&#xA0;3D PRINT

<p style="font-size: inherit; font-family: lato, Helvetica, Arial, sans-serif; background-color: rgb(254, 254, 254); box-sizing: inherit; margin: 0px 0px 1rem; padding: 0px; line-height: 1.6; text-rendering: optimizelegibility;">Version 1.0

<p style="font-size: inherit; font-family: lato, Helvetica, Arial, sans-serif; background-color: rgb(254, 254, 254); box-sizing: inherit; margin: 0px 0px 1rem; padding: 0px; line-height: 1.6; text-rendering: optimizelegibility;">Real dimension

<p style="font-size: inherit; font-family: lato, Helvetica, Arial, sans-serif; background-color: rgb(254, 254, 254); box-sizing: inherit; margin: 0px 0px 1rem; padding: 0px; line-height: 1.6; text-rendering: optimizelegibility;">By Anton&#xED;n U&#x161;el&#xED;k

Astra 400

Inspirated by Astra 400 - Detail model

Made for 3D PRINT

Version 1.0

Real dimension

By Antonín Ušelík


Malkit sword

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 Layer height: 0.2
Outline/Perimeter shells:&#xA0;6
Infill: 100%
Support: Yes
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Mini Trap

 Layer height: 0.2 Outline/Perimeter shells: 6 Infill: 100% Support: Yes 

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