Prototyped on a Makerbot 3D printer, Skarp laser razor wanted to revolutionize shaving. Now the project got suspended at Kickstarter.

Skarp Laser Razor is Suspended from Kickstarter | All3DP

CRACUNS is a 3D printed drone can stay underwater for two months before launching into the air on command.

3D Printed CRACUNS Drone Can be Launched from Underwater | All3DP

Author Douglas Coupland has partnered with La Maison Simons in Canada to create a collaborative crowdsourced art project called 3DCanada.

Douglas Coupland Scans Shoppers for 3DCanada Project | All3DP

A survey in the USA revealed that only 23% would savour 3D printed food. But how valid are these numbers given the eating habits in the USA?

3D Printed Food: Will we really eat it? | All3DP

So you've found an exciting 3D printing Kickstarter campaign. But is it too good to be true? Here's some tips on backing the right project.

8 Things to Watch for When Backing a 3D Printing Kickstarter | All3DP

Youtube channel Hydraulic Press just got a 3D Printer. Now accepting designs for items to be systematically squished.

What Can A Hydraulic Press Do To a 3D Print? (It’s Crushing) | All3DP

The 3MF Consortium (Microsoft, HP, Autodesk et. al.) created a new file format to suite the whole process from 3D modeling to manufacturing.

3MF File Format: A new format for the age of 3D printing | All3DP

Every hero needs a blade: So, why not pick one from these ten great 3D printed swords?

10 Epic 3D Printed Swords from Video Games and Movies | All3DP

Makerbot co-founder Bre Pettis is back in the maker game, this time with the CNC milling machine startup Other Machine.

Bre Pettis Acquires CNC Milling Startup Other Machine | All3DP

Made with 3D printing, these DIY LEGO LED bricks are simply perfect for adding lighting effects to your favorite LEGO kits and scenes.

These 3D Printed DIY LEGO LED Bricks Are Totes Amazeballs | All3DP

How will the 3D printing market in 2016 continue to grow? All3DP CEO Mathias Plica believes it’s all about people, not about machines.

3D Printing Market: Don’t Count Printers, Count People | All3DP

Researchers from the University Cork College are experimenting with the structure and texture of 3D printed cheese, with intriguing results.

Scientists Experiment With 3D Printed Cheese | All3DP

nissan r 34 cookiecutter

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                                            <p style="text-align: justify;">Wellheads not only protected the mouth of a well, but also provided an opportunity to make public statements of allegiance. The cross under an arch proclaims loyalty to Christ and the Byzantine Empire. Venice at this time was nominally under the control of the Byzantine emperor, although in practice it was independent.</p>
<p style="text-align: justify;">Oblong marble well-head with a cylindrical shaft excavated through the block. The four faces are decorated as follows:&#xA0;<br>1) A cross in an arch surrounded by interlaced ornament&#xA0;<br>2) Stylised acanthus leaves&#xA0;<br>3) Interlacing with flowers and rosettes&#xA0;<br>4) A cross in a rectangle surrounded by interlacing&#xA0;<br>The surface is rubbed and chipped. Face 2 has been pierced near the top. A small fragment of iron is present in face 1 possibly from a stanchion.</p>
<p style="text-align: justify;">Although surrounded by water, the supply of fresh water was historically a problem for Venetians. The need to store and supply drinking water in the city gave rise to a vast number of wells, possibly exceeding six thousand. These water sources needed protection at the surface to avoid pollution of the supply. Initially the remains of capitals, columns, funerary urns and other archaeological finds served the purpose of well-heads; cisterns were protected by effectively extending the well shaft up-ward and away from the ground, while still allowing access to the water beneath.&#xA0;<br>The various forms which emerged during the development of purpose made Venetian well-heads owe a great deal to the archaeological and particularly the architectural origins of the phenomenon. The earliest surviving purpose made Venetian well-heads date from the seventh century and take the form of a hollow cube. Cylindrical well-heads followed, developing in the late seventh to early eighth centuries.</p>
<p style="text-align: justify;">Many of the relief sculptures roughly datable to the ninth century, which have survived in Venice are overwhelmingly dominated by one single decorative pattern: a large cross set beneath an honorific arch, and flanked by stylized leaves. This design can be found throughout Italy, but only in Venice does it achieve dominance. It can be seen on numerous fragments which have been re-used in the decoration of St Marco, the cathedral and church of S. Fosca on the island of Torcello, and of SS. Maria e Donato on Murano and it also features prominently in the group of early medieval well heads collected together in the courtyard of the Museo Correr.&#xA0;<br>The motif of the foliate or &quot;leaved cross&quot;, set beneath an arch, is well documented in Christian art, particularly in the context of medieval Byzantium. This iconography has been extensively analysed by Ernst Kitzinger and others who have suggested that the &quot;Life giving cross&quot;, as it is often called in Byzantine texts, derives in part from the reference to the Tree Of Life set in the middle of the Garden of Eden (Genesis 2:9); bowing leaves found on some examples may reflect the apocryphal story of the great tree at Hermopolis, which bent to the ground to worship the infant Jesus; and the arch represents an important signifier of the honour and reverence due to the object which it encloses.&#xA0;<br>John Osborne has proposed that at the most basic level, the emblem has an apotropaic quality, intended to to preserve the purity of the water in the cistern and hence the health of the public who drank it. He goes on to attach a political significance to the motif, noting that well heads represent a form of non-ecclesiastical public display on which statements of allegiance could be made.&#xA0;<br>The early years of the ninth century found Venice politically divided, with pro-Frankish and pro-Byzantine parties vying for supremacy. The Annales Regni Francorum record the outbreak of Violent hostilities in 810, when the important Venetian settlements of Heraclea and and Malamocco were captured and sacked by Pepin, Frankish king of Italy and son of Charlemagne. Pepin was seen off by the arrival of the Byzantine fleet commanded by Paul Strategos of Cephalonia and in the peace treay which followed, Charlemagne recognised Byzantine suzeranity over the provinces of Venetia and Istria and abandoned his own previous claims. From this point onwards, the Emperor in Constantinople was regarded as the as the guardian of Venetian fortunes and the cross under arch, a symbol of Imperial authority and the triumph of the Christian Byzantine state, was used as a visual expression of Venetian political affinity.</p>
<p style="text-align: justify;">&#xA0;</p>
<p style="text-align: justify;">Gallery location:<br>Medieval &amp; Renaissance, Room 8, The William and Eileen Ruddock Gallery, case FS</p>
<p style="text-align: justify;">&#xA0;</p>
<p style="text-align: justify;"><em>This object is part of &quot;Scan The World&quot;. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email&#xA0;<a href="mailto:stw@myminifactory.com" target="_blank" rel="noopener noreferrer">stw@myminifactory.com</a>&#xA0;to find out how you can help.</em></p><p>Courtesy of the Victoria and Albert Museum, London</p>
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Wellhead

 Wellheads not only protected the mouth of a well, but also provided an opportunity to make public statements of allegiance. The cross under an arch proclaims loyalty to Christ and the Byzantine Empire. Venice at this time was nominally under the control of the Byzantine emperor, although in practice it was independent. Oblong marble well-head with a cylindrical shaft excavated through the block. The four faces are decorated as follows: 1) A cross in an arch surrounded by interlaced ornament 2) Stylised acanthus leaves 3) Interlacing with flowers and rosettes 4) A cross in a rectangle surrounded by interlacing The surface is rubbed and chipped. Face 2 has been pierced near the top. A small fragment of iron is present in face 1 possibly from a stanchion. Although surrounded by water, the supply of fresh water was historically a problem for Venetians. The need to store and supply drinking water in the city gave rise to a vast number of wells, possibly exceeding six thousand. These water sources needed protection at the surface to avoid pollution of the supply. Initially the remains of capitals, columns, funerary urns and other archaeological finds served the purpose of well-heads; cisterns were protected by effectively extending the well shaft up-ward and away from the ground, while still allowing access to the water beneath. The various forms which emerged during the development of purpose made Venetian well-heads owe a great deal to the archaeological and particularly the architectural origins of the phenomenon. The earliest surviving purpose made Venetian well-heads date from the seventh century and take the form of a hollow cube. Cylindrical well-heads followed, developing in the late seventh to early eighth centuries. Many of the relief sculptures roughly datable to the ninth century, which have survived in Venice are overwhelmingly dominated by one single decorative pattern: a large cross set beneath an honorific arch, and flanked by stylized leaves. This design can be found throughout Italy, but only in Venice does it achieve dominance. It can be seen on numerous fragments which have been re-used in the decoration of St Marco, the cathedral and church of S. Fosca on the island of Torcello, and of SS. Maria e Donato on Murano and it also features prominently in the group of early medieval well heads collected together in the courtyard of the Museo Correr. The motif of the foliate or "leaved cross", set beneath an arch, is well documented in Christian art, particularly in the context of medieval Byzantium. This iconography has been extensively analysed by Ernst Kitzinger and others who have suggested that the "Life giving cross", as it is often called in Byzantine texts, derives in part from the reference to the Tree Of Life set in the middle of the Garden of Eden (Genesis 2:9); bowing leaves found on some examples may reflect the apocryphal story of the great tree at Hermopolis, which bent to the ground to worship the infant Jesus; and the arch represents an important signifier of the honour and reverence due to the object which it encloses. John Osborne has proposed that at the most basic level, the emblem has an apotropaic quality, intended to to preserve the purity of the water in the cistern and hence the health of the public who drank it. He goes on to attach a political significance to the motif, noting that well heads represent a form of non-ecclesiastical public display on which statements of allegiance could be made. The early years of the ninth century found Venice politically divided, with pro-Frankish and pro-Byzantine parties vying for supremacy. The Annales Regni Francorum record the outbreak of Violent hostilities in 810, when the important Venetian settlements of Heraclea and and Malamocco were captured and sacked by Pepin, Frankish king of Italy and son of Charlemagne. Pepin was seen off by the arrival of the Byzantine fleet commanded by Paul Strategos of Cephalonia and in the peace treay which followed, Charlemagne recognised Byzantine suzeranity over the provinces of Venetia and Istria and abandoned his own previous claims. From this point onwards, the Emperor in Constantinople was regarded as the as the guardian of Venetian fortunes and the cross under arch, a symbol of Imperial authority and the triumph of the Christian Byzantine state, was used as a visual expression of Venetian political affinity. Gallery location:Medieval & Renaissance, Room 8, The William and Eileen Ruddock Gallery, case FS This object is part of "Scan The World". Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help.Courtesy of the Victoria and Albert Museum, London 

Mandalorian Trophy

<p>Print 2 pieces, and drill two holes, and assemble, that easy.</p>


Spool Holder for Mendel90

Print 2 pieces, and drill two holes, and assemble, that easy.


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                                            <p><a href="/pages/support-scan-the-world" target="_blank" rel="noopener noreferrer"><img src="/uploads/tinymce-images/support.png" alt></a></p><div style="text-align: justify;">This bust of Ernest Bevin was 3D scanned and printed as part of a community restoration project with Islington council, read more about it <a href="https://bevincourt.wordpress.com/2015/07/16/3d-printing-bevin/">here</a>!</div>
<div style="text-align: justify;">&#xA0;</div>
<div style="text-align: justify;">Ernest Bevin&#xA0;(9 March 1881 &#x2013; 14 April 1951) was a British statesman, trade union&#xA0;leader, and&#xA0;Labour politician. He co-founded and served as&#xA0;general secretary&#xA0;of the powerful&#xA0;Transport and General Workers&apos; Union&#xA0;from 1922 to 1940, and as&#xA0;Minister of Labour&#xA0;in the&#xA0;war-time coalition government. He succeeded in maximizing the British labour supply, for both the armed services and domestic industrial production, with a minimum of strikes and disruption. His most important role came as&#xA0;Foreign Secretary&#xA0;in the post-war&#xA0;Labour Government, 1945-51. He gained&#xA0;American financial support, strongly opposed&#xA0;Communism, and aided in the creation of&#xA0;NATO. Bevin&apos;s tenure also saw the end of the Mandate of Palestine&#xA0;and the creation of the&#xA0;State of Israel.</div>
<div style="text-align: justify;">&#xA0;</div>
<div style="text-align: justify;"><dl><dd></dd>This object is part of &quot;Scan The World&quot;. Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email&#xA0;</dl><a href="mailto:stw@myminifactory.com" target="_blank">stw@myminifactory.com</a><dl>&#xA0;to find out how you can help.</dl></div>
<div style="text-align: justify;">&#xA0;</div>
<div style="text-align: justify;">&#xA0;</div>
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Ernest Bevin in London

 This bust of Ernest Bevin was 3D scanned and printed as part of a community restoration project with Islington council, read more about it here! Ernest Bevin (9 March 1881 – 14 April 1951) was a British statesman, trade union leader, and Labour politician. He co-founded and served as general secretary of the powerful Transport and General Workers' Union from 1922 to 1940, and as Minister of Labour in the war-time coalition government. He succeeded in maximizing the British labour supply, for both the armed services and domestic industrial production, with a minimum of strikes and disruption. His most important role came as Foreign Secretary in the post-war Labour Government, 1945-51. He gained American financial support, strongly opposed Communism, and aided in the creation of NATO. Bevin's tenure also saw the end of the Mandate of Palestine and the creation of the State of Israel. This object is part of "Scan The World". Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help. 

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                                            <p>These are earrings with a flip flop shape. The model has a little flower inside. Print it in summerish colors!</p>
<p>download contains:</p>
<p>- left flip flop_fixed</p>
<p>- right flip flop_fixed</p>
<p>Print it for a day on the beach and if you lost them.. .print &apos;em again.&#xA0;</p>
<p>:)</p>
<p>Raimon of Idealab</p>
<p>&#xA0;</p>
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flip flops earrings

 These are earrings with a flip flop shape. The model has a little flower inside. Print it in summerish colors! download contains: - left flip flop_fixed - right flip flop_fixed Print it for a day on the beach and if you lost them.. .print 'em again. :) Raimon of Idealab 

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                                            <p><a href="/pages/support-scan-the-world" target="_blank" rel="noopener noreferrer"><img src="/uploads/tinymce-images/support.png" alt></a></p><p>&#xA0;</p>
<p>The very short hair and the broken cartillage of the ears indicate that this head belonged to either a statue of Herakles or a victorious athlete. The Romans often created decorative works by carving the heads of well-known Greek statues on busts or on rectangular herms. The surface of this piece has been severly cleaned and the back may have been re-cut in modern times.</p>
<p>&#xA0;</p>
<p>&#xA0; A bust is a sculpted or cast representation of the upper part of the human figure, depicting a person&apos;s head and neck, and a variable portion of the chest and shoulders. The piece is normally supported by a plinth. These forms recreate the likeness of an individual. These may be of any medium used for sculpture, such as marble, bronze, terracotta or wood. A parallel term, aust, is a representation of the upper part of an animal or mythical creature.<br><br>Sculptural portrait heads from classical antiquity are sometimes displayed as busts. However, these are often fragments from full-body statues, or were created to be inserted into an existing body.</p>
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Marble bust of the youth

 The very short hair and the broken cartillage of the ears indicate that this head belonged to either a statue of Herakles or a victorious athlete. The Romans often created decorative works by carving the heads of well-known Greek statues on busts or on rectangular herms. The surface of this piece has been severly cleaned and the back may have been re-cut in modern times. A bust is a sculpted or cast representation of the upper part of the human figure, depicting a person's head and neck, and a variable portion of the chest and shoulders. The piece is normally supported by a plinth. These forms recreate the likeness of an individual. These may be of any medium used for sculpture, such as marble, bronze, terracotta or wood. A parallel term, aust, is a representation of the upper part of an animal or mythical creature.Sculptural portrait heads from classical antiquity are sometimes displayed as busts. However, these are often fragments from full-body statues, or were created to be inserted into an existing body. 

<html><head></head><body><h3 class="thing-component-header summary summary">Summary</h3>
<div><p>Ma version 2.0 de la pieuvre flexible r&#xE9;alis&#xE9; de A &#xE0; Z sur 123D Design</p></div>
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Pieuvre flexible v2 / flexi octopus v2

Ma version 2.0 de la pieuvre flexible réalisé de A à Z sur 123D Design

<p>Printrbot has released an injection molded plastic v2 extruder that is a bolt in replacement for the Play and Plus.  This adapter is a printable file for Simple users.</p>


Simple Front Mount Adapter for Plastic Extruder

Printrbot has released an injection molded plastic v2 extruder that is a bolt in replacement for the Play and Plus.  This adapter is a printable file for Simple users.


<p>Plots de fixation carte </p>

<p>Translation at the bottom of the page<br>
Plots de fixation pour cartes &#xE9;lectroniques (Arduino, Raspbery, L298, ext ...)<br>
Les plots sont &#xE0; visser, &#xE0; coller ou &#xE0; poser sur un support.</p>

<p>Suivant le diam&#xE8;tre de la vis cot&#xE9; carte<br>
Pour une vis de 2 mm, fichiers&#xA0;: Fix_Diam_20_C.stl  ou  Fix_Diam_20_V.stl<br>
Pour une vis de 2,5 mm, fichiers&#xA0;: Fix_Diam_25_C.stl  ou  Fix_Diam_25_V.STL<br>
Pour une vis de 3 mm, fichiers&#xA0;: Fix_Diam_30_C.stl ou  Fix_Diam_30_V.stl</p>

<p>M&#xEA;me principe pour les rondelles qui sont imprim&#xE9;es sous forme de barrettes s&#xE9;cables</p>

<p>! les fichiers sources FreeCad sont &#xE0; disposition dans onglet t&#xE9;l&#xE9;chargement<br>
(Pour changer que la hauteur, changer uniquement l&#x2019;&#xE9;chelle en Z du logiciel d&#x2019;impression)</p>

<p>///////////</p>

<p>Mounting brackets</p>

<p>Fasteners for electronic boards (Arduino, Raspbery, L298, ext ...)<br>
The studs are to be screwed, to be glued or to be placed on a support.</p>

<p>Depending on the diameter of the card side screw<br>
For a 2 mm screw, files: Fix_Diam_20_C.stl or Fix_Diam_20_V.stl<br>
For a 2.5 mm screw, files: Fix_Diam_25_C.stl or Fix_Diam_25_V.STL<br>
For a 3 mm screw, files: Fix_Diam_30_C.stl or Fix_Diam_30_V.stl</p>

<p>The same principle applies to washers which are printed in the form of breakable bars</p>

<p>! FreeCad source files are available in download tab<br>
(To change the height, change only the Z scale of the printing software)</p>


Plots de fixation carte

Plots de fixation carte 

Translation at the bottom of the page
Plots de fixation pour cartes électroniques (Arduino, Raspbery, L298, ext ...)
Les plots sont à visser, à coller ou à poser sur un support.

Suivant le diamètre de la vis coté carte
Pour une vis de 2 mm, fichiers : Fix_Diam_20_C.stl  ou  Fix_Diam_20_V.stl
Pour une vis de 2,5 mm, fichiers : Fix_Diam_25_C.stl  ou  Fix_Diam_25_V.STL
Pour une vis de 3 mm, fichiers : Fix_Diam_30_C.stl ou  Fix_Diam_30_V.stl

Même principe pour les rondelles qui sont imprimées sous forme de barrettes sécables

! les fichiers sources FreeCad sont à disposition dans onglet téléchargement
(Pour changer que la hauteur, changer uniquement l’échelle en Z du logiciel d’impression)

///////////

Mounting brackets

Fasteners for electronic boards (Arduino, Raspbery, L298, ext ...)
The studs are to be screwed, to be glued or to be placed on a support.

Depending on the diameter of the card side screw
For a 2 mm screw, files: Fix_Diam_20_C.stl or Fix_Diam_20_V.stl
For a 2.5 mm screw, files: Fix_Diam_25_C.stl or Fix_Diam_25_V.STL
For a 3 mm screw, files: Fix_Diam_30_C.stl or Fix_Diam_30_V.stl

The same principle applies to washers which are printed in the form of breakable bars

! FreeCad source files are available in download tab
(To change the height, change only the Z scale of the printing software)


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                                            <p>Circular grate for sewege. At 1:1 scale it is not stif enough to step on it, so plan a support or use where you will not step on it.</p>
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Sewer drain grate

 Circular grate for sewege. At 1:1 scale it is not stif enough to step on it, so plan a support or use where you will not step on it. 

<p>Typical puzzle you will find in gift shops. Intriguing shape.</p>


Puzzle

Typical puzzle you will find in gift shops. Intriguing shape.


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                                            <p>Ciclop 3D Scanner is an Open Source project created by bq.</p>
<p>All sources are hosted in GitHub:</p>
<ul>
<li>3D Parts: <a href="https://github.com/bqlabs/ciclop"><strong>Ciclop GitHub</strong></a></li>
<li>Electronics: <a href="https://github.com/bq/zum"><strong>Zum GitHub</strong></a></li>
<li>Software: <a href="https://github.com/bqlabs/horus"><strong>Horus GitHub</strong></a></li>
<li>FIrmware: <a href="https://github.com/bqlabs/horus-fw"><strong>Horus-fw GitHub</strong></a></li>
</ul>
<p>You can find more information at DIWO: [<a href="http://diwo.bq.com/en/tag/ciclop/"><strong>en</strong></a>] [<a href="http://diwo.bq.com/tag/ciclop/"><strong>es</strong></a>]</p>
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