Name: ScottFHallSculpture010
Brand: Scott F. Hall
Availability: InStock

ClayXYZ is crowdfunding their new desktop clay 3D printer on Kickstarter, offering reusable material to create ceramic artwork.

ClayXYZ Launches Kickstarter for Desktop Clay 3D Printer | All3DP

The collaboration between 3d printing company WASP and Italian artist Francesco Pacelli explores the potential of 3D printing clay.

3D Printing Clay: Printing Ceramic Art from A 3D Printer | All3DP

Conceptual artist, Anya Gallaccio's Beautiful Minds installation 3D prints wet clay hexagonal forms to create a scaled model of Devil's Tower.

Beautiful Minds Installation in London is a 3D Printed Mountainous Mess | All3DP

This artist is using a 3D printer and a clay extruder to research unconventional methods of 3D typography with rather stunning results.

Artist 3D Prints Beautiful Designs using Clay | All3DP

A sea monster has been brought to life thanks to an Irish designer and her use of clay sculpting, 3D scanning, modeling and printing.

Irish Digital Art Student Creates a Magnificent Sea Monster with 3D Printing | All3DP

Tired of seeing layers on all of your prints? 3D designer Bethany Weeks demonstrates how you can use polymer clay to smoothen out your 3D prints and leave behind an easily paintable surface.

[Project] Smooth the 3D Printed Layers Away with Polymer Clay | All3DP

Italian company WASP could make a difference for those in need of housing by using their 3D printer to build cheap accommodation quickly.

WASP are 3D Printing a Shelter Built from Clay and Straw | All3DP

Purdue researchers have developed a process which enables them to 3D print notoriously difficult viscous materials. Due to this, they should be able to 3D print everything from cookie dough to biomedical implants. 

Purdue Researchers 3D Print Cookie Dough, Clay and Solid Rocket Fuel | All3DP

Fashion brand COS has commissioned dutch designer Olivier van Herpt to create a series of five vases using a custom-designed 3D printer.

Olivier van Herpt Partners with Fashion brand COS to 3D Print Clay Vases | All3DP

<html><head></head><body><h3 class="thing-component-header summary summary">Summary</h3>
<div><p>I am deeply sorry, I was drunk and inspired. I have no intention of ever updating that. </p>
<p>I want to mention the creator of this Clymore model that I used, I encourage you to visit his profile and follow him <a rel="nofollow" href="/thing:3147044">https://www.thingiverse.com/thing:3147044</a></p></div>
<h3 class="thing-component-header settings print-settings">Print Settings</h3>
<p class="detail-setting printer brand"><strong>Printer Brand: </strong>
                         </p><div><p>Creality</p></div>
<p></p>                                    
                                                <p class="detail-setting printer"><strong>Printer: </strong>
                         </p><div><p>Ender 3 Pro</p></div>
<p></p>                                    
                                                <p class="detail-setting rafts"><strong>Rafts: </strong>
                         </p><div><p>No</p></div>
<p></p>                                    
                                                <p class="detail-setting supports"><strong>Supports: </strong>
                         </p><div><p>No</p></div>
<p></p>                                    
                                                <p class="detail-setting resolution"><strong>Resolution: </strong>
                         </p><div><p>0.2 mm</p></div>
<p></p>                                    
                                                <p class="detail-setting infill"><strong>Infill: </strong>
                         </p><div><p>40%</p></div>
<p></p>                                    
                    <strong>Filament:</strong> 
                    <a href="http://www.amazon.com/s?url=search-alias&amp;field-keywords=Polylite+PLA&amp;tag=tv-auto-20" target="_blank">
                        Polylite PLA                    </a>

                    White
                
                        <br>                        <p class="detail-setting notes"><strong>Notes: </strong>
                        </p><div><p>I think lower infill would also work, pls align &quot;trusses&quot; with floor before printing.</p></div>
<h3 class="thing-component-header tips post-printing">Post-Printing</h3>
<p class="detail-title"><strong>Post-print</strong></p>
                <div><p>Painted with car paint in 4-5 layers, 20 minute intervals between layers. Parts glued with a moment glue.</p></div>
</body></html>

M18 Claymore NVG mount

I am deeply sorry, I was drunk and inspired. I have no intention of ever updating that. 
 
I want to mention the creator of this Clymore model that I used, I encourage you to visit his profile and follow him https://www.thingiverse.com/thing:3147044




<html><head></head><body><h3 class="thing-component-header summary summary">Summary</h3>
<div><p>I wanted a large variety of textured rolling pins for my ceramics projects. I couldn&apos;t find the ones I wanted so I started creating rolling pins with textures that I found interesting. Most are no more than 2mm deep because I wanted to avoid supports and minimize clean up time. These are printed on my Ender 3.</p></div>
<h3 class="thing-component-header settings print-settings">Print Settings</h3>
<p class="detail-setting printer brand"><strong>Printer Brand: </strong>
                         </p><div><p>Creality</p></div>
<p></p>                                    
                                                <p class="detail-setting printer"><strong>Printer: </strong>
                         </p><div><p>Ender 3</p></div>
<p></p>                                    
                                                <p class="detail-setting rafts"><strong>Rafts: </strong>
                         </p><div><p>No</p></div>
<p></p>                                    
                                                <p class="detail-setting supports"><strong>Supports: </strong>
                         </p><div><p>No</p></div>
<p></p>                                    
                                                <p class="detail-setting resolution"><strong>Resolution: </strong>
                         </p><div><p>0.16</p></div>
<p></p>                                    
                                                <p class="detail-setting infill"><strong>Infill: </strong>
                         </p><div><p>20%</p></div>
<p></p>                                    
                    <strong>Filament:</strong> 
                    <a href="http://www.amazon.com/s?url=search-alias&amp;field-keywords=Inland+PLA&amp;tag=tv-auto-20" target="_blank">
                        Inland PLA                    </a>

                    
                
                        <br>                        <p class="detail-setting notes"><strong>Notes: </strong>
                        </p><div><p>I used Inland PLA, no supports and printed at the following settings:<br>
Standard quality<br>
.04 mm Nozzle<br>
20% infill<br>
No supports<br>
No build plate adhesion </p></div>
</body></html>

Square Seamless Abstract Rolling Pins

I wanted a large variety of textured rolling pins for my ceramics projects. I couldn't find the ones I wanted so I started creating rolling pins with textures that I found interesting. Most are no more than 2mm deep because I wanted to avoid supports and minimize clean up time. These are printed on my Ender 3.

<html><head></head><body><h3 class="thing-component-header summary summary">Summary</h3>
<div><p>Just my design of a Insta360 Go camera mount for the Diatone TinaWhoop. Super Simple.</p></div>
</body></html>

mold for delft clay

Just my design of a Insta360 Go camera mount for the Diatone TinaWhoop. Super Simple.

<html><head></head><body><h3 class="thing-component-header summary summary">Summary</h3>
<div><p>I designed this to use with my homemade clay extruder. It fits into a 1.5inch PVC pipe.</p></div>
<h3 class="thing-component-header settings print-settings">Print Settings</h3>
<p class="detail-setting printer brand"><strong>Printer Brand: </strong>
                         </p><div><p>Creality</p></div>
<p></p>                                    
                                                <p class="detail-setting printer"><strong>Printer: </strong>
                         </p><div><p>Ender 3</p></div>
<p></p>                                    
                                                <p class="detail-setting rafts"><strong>Rafts: </strong>
                         </p><div><p>No</p></div>
<p></p>                                    
                                                <p class="detail-setting supports"><strong>Supports: </strong>
                         </p><div><p>No</p></div>
<p></p>                                    
                                                <p class="detail-setting resolution"><strong>Resolution: </strong>
                         </p><div><p>0.16</p></div>
<p></p>                                    
                                                <p class="detail-setting infill"><strong>Infill: </strong>
                         </p><div><p>100%</p></div>
<p></p>                                    
                    <strong>Filament:</strong> 
                    <a href="http://www.amazon.com/s?url=search-alias&amp;field-keywords=Inland+PLA&amp;tag=tv-auto-20" target="_blank">
                        Inland PLA                    </a>

                    
                
                        <br>                        <p class="detail-setting notes"><strong>Notes: </strong>
                        </p><div><p>I tend to be hard on things so I printed it at 100% infill. It should be fine at 25% if you are careful. </p></div>
</body></html>

Hollow Clay Extruder Die

I designed this to use with my homemade clay extruder. It fits into a 1.5inch PVC pipe.

<html><head></head><body><div class="short-text text-auto-link  ">
                                            <p>I decided to finish up this project and as soon as I get a good idea about the inner parts I will add them as a new project, so feel free to use the outer parts already.</p>
<p>Steampunk Gear Cutters for cookie dough, polymer clay, paper clay, fondant, biscuit and more. Ideal for wedding cakes, christmas cookies, selfmade decor like hat accessoires or necklaces for steampunk style.<br>See Instructions for details on the versions and Print Profiles/Setup.<br>Please only use the thingies non-commercially.</p>
<p>If you love my design please Comment, Collect and/or Like.</p>
										</div>
										
                                    								</body></html>

Gear Cookie Cutter Christmas Halloween Steampunk

 I decided to finish up this project and as soon as I get a good idea about the inner parts I will add them as a new project, so feel free to use the outer parts already. Steampunk Gear Cutters for cookie dough, polymer clay, paper clay, fondant, biscuit and more. Ideal for wedding cakes, christmas cookies, selfmade decor like hat accessoires or necklaces for steampunk style.See Instructions for details on the versions and Print Profiles/Setup.Please only use the thingies non-commercially. If you love my design please Comment, Collect and/or Like. 

<html><head></head><body><div class="short-text text-auto-link  ">
                                            <p>These pieces comprise one body of work that the art and design professor Scott F. Hall (BFA in sculpture, 1991, MFA in sculpture, 1994) has been creating from 1989 to present. Hall invented this style initially by developing large, entwined spans of figures within drawings which were up to 3.5 meters wide. The drawn figures were discovered through a rather automatic process of additive and subtractive mark making which tended to induce pareidolia (visions conjured from the amorphous field, as in cloud reading). Once noticed in the field, each figure could be elaborated upon to more fully bring it into view.</p>
<p>Being an undergraduate sculpture major at that early time, Hall soon began to create equivalent 3-D imagery focused on the single clay-modeled figure presented in a particular pose, usually in half-bodied form (depicted only from the pelvis upward). Throughout this three-decades-long series, Hall&apos;s sculptures show figures in a solitary and bound condition: this depiction refers directly to Existentialist philosophy which was of focal interest to him in the late &apos;80s during the hay day of Postmodern disillusionment. Though by now Hall&apos;s philosophical outlook has moved well beyond Existentialism and Postmodernism, the stark and quietly tortured look of his figures persists for the sake of consistency. Every sculpture in this series and the entire series itself remains untitled, which is appropriately in-sync with the surrogate nature of Hall&apos;s figures.</p>
<p>In each case, a Hall sculpture begins in white oil-based clay on a rather small scale, the height of each figure ranging about 12 to 20 centimeters. Usually, modeling is done entirely with the fingers. Composition of poses (i.e. the observation of persons set into poses) happens only during study phases; these always occur prior to the actual sculpting of clay. Ultimately, Hall sculpts each figure quickly and from memory. The works produced exhibit high realism, but in an impressionist sense: each viewer is led to cloud read each Hall sculpture for himself/herself.</p>
<p>Following the act of sculpting, each clay figure is turntable-scanned, cleaned of stray pixels, and is converted to STL file. If some artifacts of digital processing persist (i.e. small areas of faceting), Hall tends to accept these as markers of process.</p>
<p>Several of Hall&apos;s earliest pieces were molded in silicone and cast in wax, plaster, or resin. The very first piece in this series exists as a one-of-a-kind lost wax bronze. It remains in the collection of the artist.</p>
<p>Contact e-mail: Scott.Hall@ucf.edu<br>Biography: https://svad.cah.ucf.edu/faculty-staff/?id=92</p>
										</div>
										
                                    								</body></html>

ScottFHallSculpture036

 These pieces comprise one body of work that the art and design professor Scott F. Hall (BFA in sculpture, 1991, MFA in sculpture, 1994) has been creating from 1989 to present. Hall invented this style initially by developing large, entwined spans of figures within drawings which were up to 3.5 meters wide. The drawn figures were discovered through a rather automatic process of additive and subtractive mark making which tended to induce pareidolia (visions conjured from the amorphous field, as in cloud reading). Once noticed in the field, each figure could be elaborated upon to more fully bring it into view. Being an undergraduate sculpture major at that early time, Hall soon began to create equivalent 3-D imagery focused on the single clay-modeled figure presented in a particular pose, usually in half-bodied form (depicted only from the pelvis upward). Throughout this three-decades-long series, Hall's sculptures show figures in a solitary and bound condition: this depiction refers directly to Existentialist philosophy which was of focal interest to him in the late '80s during the hay day of Postmodern disillusionment. Though by now Hall's philosophical outlook has moved well beyond Existentialism and Postmodernism, the stark and quietly tortured look of his figures persists for the sake of consistency. Every sculpture in this series and the entire series itself remains untitled, which is appropriately in-sync with the surrogate nature of Hall's figures. In each case, a Hall sculpture begins in white oil-based clay on a rather small scale, the height of each figure ranging about 12 to 20 centimeters. Usually, modeling is done entirely with the fingers. Composition of poses (i.e. the observation of persons set into poses) happens only during study phases; these always occur prior to the actual sculpting of clay. Ultimately, Hall sculpts each figure quickly and from memory. The works produced exhibit high realism, but in an impressionist sense: each viewer is led to cloud read each Hall sculpture for himself/herself. Following the act of sculpting, each clay figure is turntable-scanned, cleaned of stray pixels, and is converted to STL file. If some artifacts of digital processing persist (i.e. small areas of faceting), Hall tends to accept these as markers of process. Several of Hall's earliest pieces were molded in silicone and cast in wax, plaster, or resin. The very first piece in this series exists as a one-of-a-kind lost wax bronze. It remains in the collection of the artist. Contact e-mail: Scott.Hall@ucf.eduBiography: https://svad.cah.ucf.edu/faculty-staff/?id=92 

<html><head></head><body><div class="short-text text-auto-link  ">
                                            <p>These pieces comprise one body of work that the art and design professor Scott F. Hall (BFA in sculpture, 1991, MFA in sculpture, 1994) has been creating from 1989 to present. Hall invented this style initially by developing large, entwined spans of figures within drawings which were up to 3.5 meters wide. The drawn figures were discovered through a rather automatic process of additive and subtractive mark making which tended to induce pareidolia (visions conjured from the amorphous field, as in cloud reading). Once noticed in the field, each figure could be elaborated upon to more fully bring it into view.<br><br>Being an undergraduate sculpture major at that early time, Hall soon began to create equivalent 3-D imagery focused on the single clay-modeled figure presented in a particular pose, usually in half-bodied form (depicted only from the pelvis upward). Throughout this three-decades-long series, Hall&apos;s sculptures show figures in a solitary and bound condition: this depiction refers directly to Existentialist philosophy which was of focal interest to him in the late &apos;80s during the hay day of Postmodern disillusionment. Though by now Hall&apos;s philosophical outlook has moved well beyond Existentialism and Postmodernism, the stark and quietly tortured look of his figures persists for the sake of consistency. Every sculpture in this series and the entire series itself remains untitled, which is appropriately in-sync with the surrogate nature of Hall&apos;s figures.&#xA0;<br><br>In each case, a Hall sculpture begins in white oil-based clay on a rather small scale, the height of each figure ranging about 12 to 20 centimeters. Usually, modeling is done entirely with the fingers. Composition of poses (i.e. the observation of persons set into poses) happens only during study phases; these always occur prior to the actual sculpting of clay. Ultimately, Hall sculpts each figure quickly and from memory. The works produced exhibit high realism, but in an impressionist sense: each viewer is led to cloud read each Hall sculpture for himself/herself.<br><br>Following the act of sculpting, each clay figure is turntable-scanned, cleaned of stray pixels, and is converted to STL file. If some artifacts of digital processing persist (i.e. small areas of faceting), Hall tends to accept these as markers of process.<br><br>Several of Hall&apos;s earliest pieces were molded in silicone and cast in wax, plaster, or resin. The very first piece in this series exists as a one-of-a-kind lost wax bronze. It remains in the collection of the artist.&#xA0;<br><br>Contact e-mail: Scott.Hall@ucf.edu<br>Biography: https://svad.cah.ucf.edu/faculty-staff/?id=92</p>
										</div>
										
                                    								</body></html>

ScottFHallSculpture001

 These pieces comprise one body of work that the art and design professor Scott F. Hall (BFA in sculpture, 1991, MFA in sculpture, 1994) has been creating from 1989 to present. Hall invented this style initially by developing large, entwined spans of figures within drawings which were up to 3.5 meters wide. The drawn figures were discovered through a rather automatic process of additive and subtractive mark making which tended to induce pareidolia (visions conjured from the amorphous field, as in cloud reading). Once noticed in the field, each figure could be elaborated upon to more fully bring it into view.Being an undergraduate sculpture major at that early time, Hall soon began to create equivalent 3-D imagery focused on the single clay-modeled figure presented in a particular pose, usually in half-bodied form (depicted only from the pelvis upward). Throughout this three-decades-long series, Hall's sculptures show figures in a solitary and bound condition: this depiction refers directly to Existentialist philosophy which was of focal interest to him in the late '80s during the hay day of Postmodern disillusionment. Though by now Hall's philosophical outlook has moved well beyond Existentialism and Postmodernism, the stark and quietly tortured look of his figures persists for the sake of consistency. Every sculpture in this series and the entire series itself remains untitled, which is appropriately in-sync with the surrogate nature of Hall's figures. In each case, a Hall sculpture begins in white oil-based clay on a rather small scale, the height of each figure ranging about 12 to 20 centimeters. Usually, modeling is done entirely with the fingers. Composition of poses (i.e. the observation of persons set into poses) happens only during study phases; these always occur prior to the actual sculpting of clay. Ultimately, Hall sculpts each figure quickly and from memory. The works produced exhibit high realism, but in an impressionist sense: each viewer is led to cloud read each Hall sculpture for himself/herself.Following the act of sculpting, each clay figure is turntable-scanned, cleaned of stray pixels, and is converted to STL file. If some artifacts of digital processing persist (i.e. small areas of faceting), Hall tends to accept these as markers of process.Several of Hall's earliest pieces were molded in silicone and cast in wax, plaster, or resin. The very first piece in this series exists as a one-of-a-kind lost wax bronze. It remains in the collection of the artist. Contact e-mail: Scott.Hall@ucf.eduBiography: https://svad.cah.ucf.edu/faculty-staff/?id=92 

Thingscanner

Some articles you might like